Hozzászólások

Nézz már jobban utána. Vagy legalább egy egészen kicsikét.

Te minek nézted azt a lézersót, betörőelhárító fényeffektnek? :)

Ha így telerakod if–then constructokkal, akkor persze, hogy átláthatatlan lesz. A lényeg most az, hogy tele tudod rakni, nem annyira fapados, mint amitől félni lehetett.

First Screens Of Dontnod’s Vampyr

Dontnod’s new game Vampyr is nothing like Life Is Strange

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“Every character in the game has his or her own unique back-story and will affect the world. Be careful who you choose to hunt, as they will be gone forever, and their death will impact in a meaningful way the world that surrounds you. Feeding on human blood will not just keep you ‘alive’, it will also unlock new vampiric powers to use. As a Doctor, and a Vampyr who used to be human, you may also choose to heal your potential prey, crafting medicines from items collected in the game world.

“There will be times when exploration and seduction will only get you so far, and you’ll need to resort to engaging in Vampyr’s dynamic, melee-focused real-time combat. It blends hard-hitting melee combat with supernatural vampire powers. Find and loot materials and components from the fresh corpses of your victims or during exploration, in order to craft and improve tools, melee and ranged weapons, as well as special ammunitions and coating to exploit the weaknesses of your enemies.”

Joda írta: Ahogy a Writings on the Wall is. Az a szám a világ legfosabb James Bond száma, fogalmam sincs hogy nyerhetett, eszem megáll.

Sam Smith has dedicated his best original song Oscar to the LGBT community after

referring to a lack of openly gay men winning Academy awards.

As he picked up the award for best original song for Writing’s on the Wall from Spectre, he referenced a quote by Ian McKellen from a Guardian interview about homophobia within the film industry.

“I read an article a few months ago by Sir Ian McKellen and he said no openly gay man had won an oscar,” Smith said. “If this is the case, I want to dedicate this to the LGBT community around the world. I stand here tonight as a proud gay man and I hope that we can all stand as equals one day.”

psishock írta:

ilyenkorra nem move lett megbeszélve?

tipikusan torlesben egyeztunk meg.

Töröljük el a törlési ökölszabályt.

psishock írta:

ilyenkorra nem move lett megbeszélve?

tipikusan torlesben egyeztunk meg.

Töröljük el a törlési ökölszabályt.

psishock írta:

ilyenkorra nem move lett megbeszélve?

tipikusan torlesben egyeztunk meg.

Töröljük el a törlési ökölszabályt.

psishock írta:

ilyenkorra nem move lett megbeszélve?

tipikusan torlesben egyeztunk meg.

Töröljük el a törlési ökölszabályt.

psishock írta:

ilyenkorra nem move lett megbeszélve?

tipikusan torlesben egyeztunk meg.

Töröljük el a törlési ökölszabályt.

Egyre jobban bízom bennük:

The version that has been my primary source for inspiration, my dark bible so to speak, is the first (Swedish) edition of Kult. I wanted to go back to the source and the original ideas of authors Michael Petersén, Gunilla Jonsson, and project lead and graphic designer Nils Gulliksson.

The question that I have had in mind when I designed the setting is: “What would Kult had been like if it was released in 2016 instead of 1991?”

When it comes to creatures, demons, and monsters, there is more focus on them as beings that you can interact with, rather than as monster-of-the-week cannon fodder. The creatures exists in a context, with power struggles, desires, fears, needs, and ambition. The perfect monster in KULT: Divinity Lost is something you fear or respect but is still drawn to, you make deals and pacts with, you want to be like, or want to have sex with. Well… perhaps not the Cairath but… who am I to judge.

The world as a whole will be horrifically dark and grotesque. Not turning away from gore, abuse, violence, and sexual themes.

Some Trivia:

- The chapter about Gaia is written in solitude in a cabin in the cold north of Sweden and influenced by long forest walks at night, meditation, storms, and the movie “Antichrist” by Lars von Trier.
- The chapter about Passion is influenced by red wine, EBM-music, the writings of Michel Houllebecq, and hardcore pornography.
- The chapter about Inferno is inspired black metal, occult teachings and rituals, the writings of Clive Barker, visits to abandoned industrial areas, and a summer I worked at an old sanatorium.

Rendszerről:

The brief mention sounds great basically like Powered by Apocalypse but with d10s.
-

Yes, the rules are in the “Powered by the Apocalypse” family (rules that share certain elements from the RPG “Apocalypse World”. The general way “moves” work, for instance, will be recognizable. We have made extensive redesign on many of the things that didn’t work well with the KULT setting, and for horror in general.

For instance, in the original AW, the player characters are very much driving the scenario, having a lot of player induced influence on the story. This is changed in KULT: DIVINITY LOST, where the GM/Narrator has much firmer grip on the overall story structure and details, in order to enforce the sense of being “hunted”, “underpowered”, and “fearful” – key elements in creating tension and horror and dread.

Other areas that are redone, and newly designed, are the ways the GM/Narrator interact with the story, how the campaign is set up, how monsters are handled, equipment, combat, mental fatigue, injuries, advantages and disadvantages, dark secrets/pasts – among other things.

Call of Cthulhu video game gets first info and images

Általában nem szenvedhetem ezeket az anakronisztikusan disszonáns jellegű promókat, de ez valóba nemszarvót.

cringe-fest