Hozzászólások

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Meglepő módon egy rakás fos az Avengers játék béta alapján:
https://www.gameinformer.com/preview/2020/08/04/marvels-avengers-beta-impressions-assembly-still-required?fbclid=IwAR1Hn-DiXLNRHGjfIddUxsc-2-39-1HyUTJ0p2v829P-JbLen3Yf7Z1DffM

Úgy a pöcs kivan a magyar online előfizetéses szolgáltatókkal. Oké két évvel ezelőtthöz képest már jobb a helyzet, de...

Teszem azt meg akarom nézni régóta a Bábel című filmet, és végre eszembe jutott. Na mondom rászánom akár pénzt, vagy bármit kölcsönzésre, de nincs. Mint kiderült a Netflix kínálatában benne van, de Magyarországon nem ám.

Mi marad videa, vagy enkór... gg, de ez nem egy kirívó eset, rengeteg ilyen film van amit gyk. nem tudsz megnézni, ha szánnál pénzt rá akkor sem.

Eh?

rwurl=https://youtu.be/VSA37Qe9Xm4

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https://phys.org/news/2020-07-imaging-pictures.html

rwurl=https://www.youtube.com/watch?v=otSnQ1CspJk

Azt is írták a commentekben, hogy ez a nő pár héttel később elesett.

Kicsit megkésve, de szembejött és csodák csodájára, még nincs sóval behintve.

rwurl=https://www.youtube.com/watch?v=aam9VvzFuI0

"Basically, there were two things that bothered me about the official release: mixing and ordering. The 2016 soundtrack told the story of the game in musical form. It was divided into chapters which began with an excerpt from the Slayer's Testament and the tracks were laid out in chronological order (with a few liberties). Eternal's soundtrack on the other hand, is ordered seemingly randomly.

I therefore set out to rectify this. I replayed the game with every sounds other than music off and carefully listened to the motifs and matched them with songs from the soundtrack. I then made a rough ordering and then tried to have it make sense in the larger picture. Having the songs just end with a fade out (like many of those mixed by Mossholder do!) is kinda lame, especially when some tracks are thematically connected (a good example is "A Slayer City" and "Meathook" - "A Slayer City" being essentially a prelude to "Meathook"). So I edited nearly all the tracks to make them link to each other as seemlessly as I was able to.

This brings me to the second point and that's mixing which is, to say it mildly, not perfect in the official release. The biggest offender imo is "Super Gore Nest", or to be more precise, "Slayer Gore". This track contains the music which plays in game in level Super Gore Nest as a build up to the "shredding" music which we know as the "Super Gore Nest" track. In the official OST, this track is incredibly long, it's 4 minutes of buildup with no payoff. For my version, I trimmed it down, added a drop and seemlessly continued into "Super Gore Nest" proper. Another example would include the tracks "Armored Response Coalition" and "The Baron of Hell" which are actually two slightly different alterations of the same musical motif, including 90 seconds of music which is literally identical. So what I did, is I identified the point of convergence and combined the two tracks into a single, longer track which is, in my opinion, more satisfying. A final example of the changes I did would be in the track "Final Sin", mixed by Chad Mossholder, which includes the brass piece which you can hear when the Icon of Sin collapses. However, the same piece is also included in the track "Icon of Sin" which was mixed by Mick Gordon. It makes no sense to have the same motif play twice within the space of 40 seconds, so I removed the duplicate from the Chad track and used the Mick version (which is slightly higher quality) and then had the rest of the "Final Sin" track emerge from that.

I hope this explains a bit of what I did with this version and why I'm very passionate about it being superior experience as an album than the official release."

Minden teljesen tiszta, szartak rá pedig tudtak róla. Inkább az ország helyzete és belpolitikája fog válságba kerülni az emberek elégedetlensége miatt.

https://www.nytimes.com/2020/08/05/world/middleeast/beirut-explosion.html

Lebanese customs officials wrote letters to the courts at least six times from 2014 to 2017, seeking guidance on how to dispose of the highly combustible material, according to public records cited by a Lebanese lawmaker, Salim Aoun.

Solutions proposed by the officials included exporting the ammonium nitrate, which is used in fertilizer and explosives, or donating it to the Lebanese Army. But the judiciary failed to respond to the letters, the records suggested.

The general manager of Beirut port, Hassan Koraytem, appeared to confirm that account on Wednesday in an interview with OTV, a local broadcaster. Despite numerous requests to have the material moved, “nothing happened,” Mr. Koraytem said.

“We have been waiting for this to be resolved for six years, in vain,” he said.

Anger swelled in Lebanon, as people demanded to know who was to blame for the dangerous cache being allowed to sit at the port for years, and why it was not kept in safer conditions.

“As head of the government, I will not relax until we find the responsible party for what happened, hold it accountable and apply the most serious punishments against it,” Prime Minister Hassan Diab said.

The Russian-owned, Moldovan-registered ship, the Rhosus, arrived in Beirut in November 2013, just under two months after it had left Georgia en route for the port of Beira in Mozambique. Lebanese port officials discovered “significant faults” on the ship and prevented it from continuing its journey, according to an account by lawyers for the ship’s crew published in 2015.

The ship’s Russian captain gave an interview on Wednesday with Radio Free Europe, challenging parts of the account provided by Lebanese officials, saying there was nothing wrong with the ship and that it was held for failure to pay port dues.

The vessel’s owner was identified as Igor Grechushkin, a Russian businessman living in Cyprus, but he appeared to abandon the ship soon after it ran into trouble, prompting a lengthy legal and diplomatic dispute.
The ship’s captain and several crew members were at first forced by the Lebanese authorities to remain on board. They told the authorities that they worried about the danger to their safety from the ship’s cargo, 2,750 tons of ammonium nitrate.

They were allowed to leave in 2015. That left Lebanese officials in charge of the deadly cargo, which by then had been moved into storage on a wharf at the Beirut port.

Kelleni fog majd oda több patch is, az az érzésem:)
Máig nem tudom mire jó ez. Mármint értem én, hogy elfogy a fejlesztő pénze és ki kell adnia, de a kiadónak és a fejlesztőnek se tesz jót ha katasztrófa a megjelenés. Nyilván a seggemből húzom elő ezt, de szerintem többet árt bugosan kiadni valamit és elidegeníteni a playerbase-t, mint rááldozni még pár hónapnyi büdzsét és normálisan kiadni. Persze kitudja mióta tilitolizzák belül, de akkor is.

Áh, tyty. Hát abban biztos vagyok, hogy ballsy. Csak ne kerüljön +1 lyuk a csinos kis fejére. Bár ő nyilván vállalja ezt a lehetőséget. De mégis.

Ugye azt tudjátok, hogy nem a fúvókákkal, hanem főként a hajtóművel irányítják?

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Nos igen a sziluett vetése jelentosen kepes roviditeni az ember eletet, szoval ablakbol nem logatunk ki semmit meg domb tetejen se mászkálunk még éjszaka sem :D